Alegre Menina Reviews
'Campagne includes meaningful cuts in homage to artists that shaped 20th century popular Brazilian music. Her own “So Mad, So Young” is a pleasing slice of Brazilian fusion, while her rendition of Guinga’s “Di Menor” showcases Campagne’s penchant for meteoric scat singing' ~ Ayana Contreras/Downbeat Magazine
'Campagne channels the bittersweet ache of saudade—that simultaneous presence of joy and longing—so persuasively that even non‑Lusophone listeners can feel its pull in every melismatic turn and breath‑borne rubato. Technically clear and emotionally resonant, Campagne’s Brazilian jazz captures the soul of Rio.' ~ Stamish Malcuss/Jazz Sensibilities
‘Her delivery style and tone is reminiscent of Eliane Elias’ ~ George W. Harris/Jazzweekly
'Campagne brings together an impressive ensemble, including guitarist Lula Galvão, pianist Frank Martin, drummer Rafael Barata, bassist Scott Thompson, and guitarist Ricardo Peixoto, whose collective instrumental interplay provides a rich tapestry for her warm, expressive vocals.’ ~ The Jazz Page
“Samba Carioca,” an original by Campagne, reflects her compositional skill and poetic vision. Drawing inspiration from Rio de Janeiro, the piece features a memorable horn-led melody … Campagne’s vocals are warm and fluid… It’s a song that feels timeless, steeped in Brazil’s romantic traditions while pointing toward new directions in Latin jazz songwriting.' ~ Sylvannia Garutch/The Jazz Word
'Brazilian jazz that feels as though it was lifted straight from the 1950s … smooth, elegant, and impeccably produced. Vocally, she brings a finely honed instrument to the table: clear, controlled, and emotionally aware’ ~ Thierry De Clemensat, Paris Move
'Album's world-jazz moment arrives on “Di Menor,” where Campagne and the ensemble engage in a multi-voice tutti that demands precision … sixteenth‑note runs are delivered with crystalline clarity. Gary Meek’s flute solo has a rhythmic drive and a strong interaction with the ensemble, showcasing the chemistry' ~ Stamish Malcuss/Jazz Sensibilities
‘On her original song, “So Mad, So Young” she scats fluidly. The melody she wrote is beautiful and her vocals simmer with emotion.’ ~ Dee Dee McNeil/Making a Scene
'Campagne's energy is electrifying. Passionate, bold and luminous, she invites her audience to enjoy the shimmying rhythms ~ Jazz2love.com
Like Water, Like Air Reviews
'This album spotlights Campagne as a composer and features the inimitable harmonica/vibraphone ace Hendrik Meurkens and guitarist/composer Guinga.' ~ Dan Bilawsky/All About Jazz
'Blending the wistfulness of Astrud Gilberto with the robust liquidity of Flora Purim' ~ Jazz Times Magazine
'Campagne's vocals display a rare combination of sophistication and sincerity.' ~ Paul Freeman/San Jose Mercury News
‘Campagne’s sensational vocals are informed by naturally delicate, come-hither intonations and dreamy sensuality … The sassy, decidedly airy samba, “No Fundo Do Rio” she not only makes a carioca of herself, but makes tantalizing leaps mesmerizing the bass clarinet of the magnificent Harvey Wainapel.’ ~ Raul da Gama/Latin Jazz Network
‘ [Campagne] has an earthy texture reflective of Jane Monheit beaded in the bluesy swing facets reminiscent of vintage Nancy Wilson. As a vocalist, songwriter and producer, Masha Campagne has a triple talent with total command of the jazz language.' ~ Susan Frances/Yahoo! Voices Cafe Jazz
‘Her warm, charismatic jazz vocals are full of panache, with Like Water, Like Air, the talented and enthralling Masha Campagne has released vulnerable music on an outstanding album to savor. It’s a captivating set that emphasizes impressive musicianship with vision, creativity, and class.’ ~ Joe Ross/Amazon.com
'A delightful ebb and flow combined with a literal all-star cast make this one of the surprise vocal releases of the year. Like Water, Like Air works well thanks to Campagne's artistry and vocal ability to transcend genres with ease and grace. There is a tightly clustered pack of female singers in the jazz idiom. I say singer because Campagne is a vocalist of immeasurable talent - that is the difference between singer and vocalist. Not all pretty girls can sing, god made cruise ships, church choirs, and karaoke night for a reason. Masha Campagne is an artist.' ~ Brent Black/Critical Jazz
Caminhos Cruzados = Crossroads Reviews
'Masha Campagne communicates a thoroughly-hip and venturous command of the Brazilian-jazz vernacular. Iago’s shrewd arrangements combine elements of Chamber, Jazz and Brazilian.' ~ Glen Astarita/Ejazznews
'Champagne has forged a delicious Brazilian jazz sound.' ~ Andy Gilbert/Monterey County Weekly
‘Happiness is a richly seasoned Brazilian singer hugging the delicate curves of Dorival Caymmi’s “Doralice”, she reveals a deep, luxuriant voice that suggests the richest, darkest chocolate and the ripest, tartest blackberries.’ ~ Christopher Loudon/JazzTimes
'Her sensual lyric portrayals and animated wordless vocals make you feel as though you're in Rio on vacation, while samba bands crank up the emotional level a few notches. She's musically superb, lyrically convincing.' ~ Jim Santella/LA Jazz Scene
“Caminhos Cruzados” showcase two different facets of jazz, the technical and the emotional both succeed in articulating the art of Brazilian romance. Campagne and Iago are a special duo with a special talent to read each other.' ~ Carl Stober/JazzTrenzz
'Campagne has forged relationships with some of the region’s finest musicians. Most importantly, she’s collaborated with Iago, the brilliant Rio-raised pianist/arranger' ~ Andy Gilbert/Monterey County Weekly
'Completely fluent in Portuguese, Campagne delivers an outstanding vocal performance on a host of Brazilian compositions including a beautiful and sensitive interpretation of several Antonio Carlos Jobim tunes in a nine minute “Jobim Medley” ~ Edward Blanco/Ejazznews
‘Brazilian sound lies in its floating rhythms, intricate and gorgeously understated arrangements, and straightforward vocals. Campagne and company traverse that territory with a spring in their steps combined with a true love of the tradition’ ~ Dan McClenaghan/All About Jazz
'Masha introduces herself as a sultry diva with a twist of Latin flare' ~ Justin Scro/Cashbox Magazine
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